I took this shot through a gap in the ancient door frame of the deconsecrated Chiesa di San Marcellino in Parma, Italy last week. Somehow Claudio Parmiggiani’s incredible, but now vestigial, installation, being closed to the public gaze, lends a new sense . It stands intact, secret and forlorn, a derelict even more potent for its lone solemnity. I hope someone will salvage this before its too late.
Alberto Giacometti at the Tate Modern, London. A brief something on the artist’s physical obsession for making, for repetition and for the human figure as seen within the confines of London’s Tate Modern (until the 10th of September).
Source: Of Human Clay – Wall Street International
Image credits: Copyright: Giovanni Anselmo Courtesy: the artist and Marian Goodman Gallery Image: Thierry Bal.
Please see here a link to my article for Wall Street International (July) ‘Between a rock and a hard place’, which offers an antidote to social media overload and the inflated sense of the self(ie).
A digression on recent metaphysical sculptural works by the cryptic Arte Povera legend that is Giovanni Anselmo, at Marian Goodman in London.
Source: Between and Rock and a Hard Place – Wall Street International
Delighted with our recent film on Richard Long, the first drone footage ever taken of his work which puts it into a whole new perspective. Houghton is magnificent and special thanks go to all concerned, but especially to Mr. Long for the unprecedented access and to Lorcan for the great vocal.
Not in fact related (directly) to todays election outcomes…
Image: ©Carl Rowe 2017
Delighted to offer a (rather topical) sneak preview of the very limited edition BALLOT boxed set, a collaborative research publication between Created and Contested Territories at Norwich University of the Arts and CIT Crawford College of Art & Design, Cork, Ireland. Cork Printmakers, Print to the People and Limerick School of Art & Design also feature as contributors. ASPEN (The Magazine in a Box) fans eat your hearts out. Thanks to our sponsors and supporters. Also delighted to have been invited to write the introduction for this.
Some musings for WSI on the underground works of Eduardo Paolozzi and Lance Wyman at Bloomberg Space. ‘Strange Meeting’ as the great poet once said…
Source: Art at Velocity – Wall Street International
Please see here a link to my May 2017 article for Wall Street International, Colour Me Bad, which features a rare interview with the author and world-renowned curator Carolyn Christov-Bakargiev. Carolyn offers an insight into the origins and inspiration for her current magnum opus, L’emozione dei Colori nell’arte, at GAM – Galleria Civica d’Arte Moderna e Contemporanea and the Castello di Rivoli Museo d’Arte Contemporanea, runs until July 23 2017.
Source: Colour me bad – Wall Street International